Just 5km from the market village of St Cyprien, 7km from the ‘prehistoric capital’ of Les Eyzies and 17km from the medieval town of Sarlat, our accomodation provides the perfect location from which to explore the castles, rockart, caves and medieval villages which make up the vivid and diverse history of this region or simply to enjoy a peaceful and relaxing holiday.

Le Chèvrefeuille Gites

Le Chèvrefeuille has three Gites, or self catering accommodation.

La Petite Maison is our one bedroom gite, contained on the upper floor, it has one bedroom, living area which includes a small kitchette, bathroom and seperate toilet. It has a private terrace area set in its own cottage garden with furniture and BBQ.

Grapevine & Passiflore are our two bedroom gites, located in our 19th century barn. They are identical in dimensions and layout, each with an individual private terrace over looking our beautiful meadow garden.They are on two floors with the bedrooms on the first floor & living area on the ground floor.

Grapevine plus Breadroom can be combined to create a three bedroom gite. The breadroom is our superior bed and breakfast room connected to the grapevine gite by their terrace areas and offers an additional bedroom en-suite for extended family, parents and friends whilst offering a degree of privacy.

Outside area and Facilities

Le Chevrefeuille has large gardens with open and shaded areas ideal for relaxation and play. The large meadow garden is for the exclusive use of guests staying in the gites Passiflore, Grapevine, & the Breadroom, who all have immediate access from their individual terraces. In the meadow garden, large walnut trees offer splendid shaded areas for eating or reading and from this garden you gain a beautiful view over Pechboutier and its woodland which provides a delightful spot for bird watching. A children’s play area located at the bottom of the garden provides entertainment for children in a safe environment that can be viewed from the terraces for the comfort and relaxation of the parents with total peace of mind.

We offer an indoor children’s playroom including toys and for those who wish to explore the stunning countryside of the immediate area we have bikes available, including a child’s bike seat.

Baby equipment is available, which includes cot, bedding, changing mat, toys, highchair, soft chair and stair gate.

Washing machine, ironing facilities and washing line are provided for the use of our guests.

There is ample car parking facilities

B&B Rooms

Le Chèvrefeuille has five chambre d’hote or bed and breakfast rooms all of which are en-suite. We have two standard double rooms, two family rooms and the “bread room” which is our superior double room and is located outside in our beautiful courtyard.

Rooms

All our bed and breakfast rooms are all of a good size, all with European king size beds (with exception of the garden room which has a standard double bed and breakfast ) and shower en-suites.

Breakfast

The price of the room includes breakfast which consists of fresh croissants, a selection of fresh breads and pastries, fruit, yoghurt, cereals, juice and tea/coffee.

Dining

In addition to the varied local restaurants we are able to offer beautifully cooked evening meals using only the best fresh local produce. Dinner consists of a table d’hote menu of four courses plus coffee for Euros 23.50 per adult, 10 for children and is served in our magnificent courtyard.

The cave was discovered on 12 September 1940 by four teenagers, Marcel Ravidat, Jacques Marsal, Georges Agnel, and Simon Coencas, as well as Ravidat’s dog, Robot. Public access was made easier after World War II. By 1955, the carbon dioxide produced by 1,200 visitors per day had visibly damaged the paintings. The cave was closed to the public in 1963 in order to preserve the art. After the cave was closed, the paintings were restored to their original state, and are now monitored on a daily basis. Rooms in the cave include The Great Hall of the Bulls, the Lateral Passage, the Shaft of the Dead Man, the Chamber of Engravings, the Painted Gallery, and the Chamber of Felines.

Lascaux II, a replica of two of the cave halls – the Great Hall of the Bulls and the Painted Gallery – was opened in 1983, 200 meters from the original. Reproductions of other Lascaux artwork can be seen at the Centre of Prehistoric Art at Le Thot, France.

The cave contains nearly 2,000 figures. Many are too faint to discern, while others have deteriorated. Over 900 can be identified as animals, and 605 of these have been precisely identified. There are also many geometric figures. Of the animals, horses predominate, with 364 images. There are 90 paintings of stags. Also represented are cattle and bison, each representing 4-5% of the images. A smattering of other images include seven felines, a bird, a bear, a rhinoceros, and a human. Among the most famous images are four huge, black bulls or aurochs in the Hall of the Bulls. There are no images of reindeer, even though that was the principal source of food for the artists.

The four black bulls are the dominant figures among the 36 animals represented in the Hall of the Bulls. One of the bulls is 17 feet long – the largest animal discovered so far in cave art. The bulls appear to be in motion. The most famous section of this cave is the great hall of the bulls, where there are bulls, horses, and stags.

A painting referred to as “The Crossed Bison” and found in the chamber called the Nave is often held as an example of the skill of the Paleolithic cave painters. The crossed hind legs show the ability to use perspective in a manner that wasn’t seen again until the 15th century.

Set on a dramatically steep promontory high above the River Dordogne, the unusual trapezium shaped walled village of Domme is one of the most famous bastides in the region. It’s one of the few to have retained most of its 13th-century ramparts, including three fortified gates: porte de la Combe. A one-time base for the Knights Templars (whose religious graffiti can still be seen in the towers by porte des tours, where they were imprisoned in 1307), it was fought over and besieged frequently during the Hundred Years’ War and Wars of Religion. The village is so picturesque it has become very touristy and commercialised, but you can’t beat its stunning panoramas of the River Dordogne and its valley.

INFORMATION

There are two main entrances – southern porte del Bos (the D46/D50 approach from Cenac) or eastern porte des Tours (D46E from Sarlat). At the top of the village’s main street, Grand’Rue, is the central market place, place de la Halle, and the tourist office (Tel: 05 53 31 71 00, Fax: 05 53 31 71 09). It opens 10am to noon and 2pm to 6pm daily (10am to 7pm daily in July and August). It’s closed during January. Car parking inside the walls is metered. There’s a free parking lot just outside porte des Tours.

THINGS TO SEE AND DO

The best views are a few steps from place de Halle, from from the cliff-side Esplanade du Belvedere and the adjacent Promenade de la Barre, which streetches west along the forested slope to the Jardin Public. The preciptious bluff below was, amazingly, scaled by Huguenot besiegers during the Wars of Religion, one of the few times the bastide was captured.
Across from the tourist office, the 19th century reconstruction of the 16th century halles ( covered market ) houses the entrance to the grottes ( caves; 0553317100 ) 450 m of stalactite-filled galleries underneath the village that gave the inhabitants a handy refuge during times of attack.
On the far side of the square from the tourist office, the Musee d’ Arts et de Traditions Populaires (0553317100 ) has 9 rooms of clothing, toys, tools and other memorabilia from the past.
Several canoe operators are based in Cenac including Randonee Dordogne.

The Beune Valley has been occupied for a very long time. Around Commarque, prehistoric man has left numerous traces of his passage. Not far from the site at Commarque, Paleolithic man left two female statuettes known as the Venus of Sireuil and the Venus of Laussel.
On the other side of the valley, in the shelter at Cap Blanc, one can admire a frieze of prehistoric sculptures. Under Commarque Castle there is a cave where Magdalenian man carved animals on the wall, notably a very beautiful life-sized horse (not open to the public).

The Uncertain Origins of Commarque

The most reasonable hypothesis would be to attribute the founding of a keep at Commarque to one of the two abbots of the same name who succeeded the abbey see of Sarlat during the last third of the XIIth century: Garin (1169-1181) or Randolph de Commarque (1195-1201). The building of a tower allowed them to contain the ambitions of their vassals the Beynacs, with whom they had a relationship of conflict. It was a member of their family who obtained its guard. The first Lord of Commarque, thus, was a “milites castri” or knight, who followed orders from the Abbey of Sarlat. In the XIIth century, a concentration of population existed there, made up of a keep with living quarters, a chapel and house towers: it was the castrum of Commarque.

The Beynacs, Lords of Commarque

There is mention of Commarque in archive documents from 1255 onwards. Maynard de Beynac became the lord of the château. The house towers were held by the lineages of lesser nobles, the names of several of which are known: the Commarque, the Cendrieux, the Gondrix, the La Chapelle. Each house tower had an enclosure, its own access, and ditches. The lord and knights fought over the rights of justice, land and other property.

The Rise of the Beynacs

During the course of the XIVth century, two major lineages had the first regrouping of lands by successive acquisitions. The Beynacs succeeded in constituting a veritable castellany around Commarque when they retook the rights of Marquay and of Sireuil from the Cendrieux and imposed their suzerainty on the den of Laussel. The Commarques took back the lands and rights from the descendants of the other knights, either by buying them or through alliances. From the middle of the XIVth century, the entire lower courtyard had become the noble house of the Commarques: they now disposed of a defensive parameter largely exceeding that of the Château of Beynac.

The Patrimony of the Beynacs Combined

In 1379 Pons de Beynac, Lord of Commarque, married Philippa, 12 years of age, heiress of the lords of Beynac. By this alliance, the lords of Commarque acquired the castellany of Beynac and its dependencies.

The Hundred Years’ War

During the Hundred Years’ War, the Beynacs stayed faithful defenders of the throne of France. Pons de Beynac enjoyed several political favors: he was among the clients of Beaufort-Turenne, of the Avignon papacy and of the Anjou party. The extension of Commarque Castle between 1370 and 1380 has been attributed to him. He undertook heightening the keep and the curtain wall, and had the crown of machicolations built which was inspired by the Palace of the Popes in Avignons.

The Decline of the Beynacs and the Commarques

Nevertheless, the Beynacs came out of the Hundred Years’ War badly. First of all, in 1406, the English, driven by Archambaud d’Abzac, seized hold of Commarque. The whole family was brought together and made prisoner. A tax, ordered by the king, was levied on the inhabitants of Perigord and Quercy to pay the ransom. The castellany of Commarque began to break up. In 1395, Pons lost the suzerainty over Laussel . He was unable to retain Domme. And in 1441, the Beynacs went under the influence of the Count of Perigord, a visible sign of their political weakening. During the 1500s, it seems that the resident families had already deserted the castrum of Commarque.

The Wars of Religion

During the Wars of Religion, the Beynacs were loyal to the cause of the Reform. From Commarque, which was his base of operation, Geoffroy, Baron of Beynac and Lord of Commarque, launched several attacks on Catholic hideouts in the area and even furtively took hold of Sarlat. In 1569, Commarque Castle was taken for the first time by the Catholics led by the seneschal and by the Governor of Perigord. It is without doubt following this siege that the vaulted room collapsed. As the new master of Commarque, Geoffroy installed a garrison there which, by way of reprisal, would be hanged the same year.

The Abandon and Renaissance of Commarque

Guy de Beynac, the last castellan living in Commarque Castle, died there in 1656. The site was definitively abandoned in XVIIIth century. A century later the castle was in ruins. In 1968, Hubert de Commarque bought his ancestors’ ruins. He undertook the consolidation of the most damaged parts. Since 1994 there have been successive phases of consolidation and restoration. Hubert of Commarque has given Kleber Rossillon, the creator of the Museum of Medieval Warfare in Castelnaud Castle and the Gardens of Marqueyssac, the task of opening the Commarque site to the public. A program of archeological research has been in place for several years.

Open hours

April and all saints holidays: from 10:00 am- 6:00 pm
May, June, September:
from 10:00 am – 7:00 pm
July and August: from 10:00 am – 8:00 pm
Last admissions 1 hour before closing.

Free parking
Parking located 600 m from the site.
A specially fitted forest path leads to the entrance of the site.

2010 Price

Individual price
Adults: 6 €
Children (10 -17 yrs): 3 €
Children (-10 yrs): free

Group price
(for 20 or more persons)
Adults: 5 €
Children: 2,50 €

Sarlat the geographical centre of Périgord-Quercy, is by far the most important tourist site in the region Over a million visitors discover or re discover this medieval jewel every year. This town of l0,000 inhabitants today occupies top spot in terms of tourists and culture. Although this is basically a cultural town, industry is also represented, mainly by food processing firms, many of which produce foie gras. This foie gras, one of the most highly rated in France has contributed to the great culinary reputation of the Périgord in general and the town in particular.

Although it has one of the largest medieval urban areas (13th to 16th centuries) in the world, Sarlat cannot claim a very distant past. The initial Sarlat abbey was most probably founded between 820 and 840 AD by Duke Pepin of Aquitaine. Saint Bernard stopped off in Sarlat in 1147 during his journey through the South of France to spread the gospel to the many Cathars. The plague was predominant at the time. He gave the sick consecrated bread to eat and healed them. This event, this miracle even was commemorated by the building of the strange graveyard lantern which, still today, remains one of the towns symbols.

Lost in the heart of the distant Périgord, Sarlat could have sunk into oblivion if it was not for the Malraux Act of 4th August 1962. Perhaps the minister of culture (Andre Malraux) recalled having taken to the macquis (The name given to some French Resistance groups during World War Two) in the heart of the Sarlat woodlands, when he signed the act of renovation and restoration. The works carried out from 1964 onward have revealed a veritable treasure trove of Medieval and Renaissance art to the public. Tourists and film directors then took charge of bringing this corner of the Earth “which is the closest things to heaven” according to Henry Miller, to the attention of the whole world. The 1978 film version of “Les Miserable” was filmed extensively in Sarlat, but also in nearby Domme, with the stunning Beynac Castle standing in for the famous Toulon Jail. Sarlat’s wonderful architecture and medieval style buildings and stone roofs have made a backdrop for a score of other top motion pictures since, which has added to it’s fame an it’s fortune.

A warren of alleyways, virtually unchanged since the middle ages, lined with warm ochre stone houses, each with its own distinctive facade and ornately sculptured window embrasures, set off by the stone roofs and turrets, make Sarlat a must for any tourist visiting the Dordogne. Sarlat’s Saturday market is excellent, teaming with life, an unforgetable experience from the street artists that throng there, to the wonderful fresh local produce. Sarlat comes to life in summer with its Drama Festival and Film Festival as well as non-stop street shows in the old quarter. Sarlat is an artists paradise with many small galeries including the famous “Herdin”, student of Salvador Dali. Out of season there is also a well packed programme of cultural events, concerts, drama, films (often in the original language), a visit at Christmas is like stepping into a Fairy Tale, with piped christmas carols and Santas scaling buildings everywhere, there truly is something for everyone.

Sarlat Tourist Office

3 Rue Tourny – BP 114
F-24203 Sarlat Cedex

Tél. 33 (0) 5.53.31.45.45
Fax. 33 (0) 5.53.59.19.44
Web http://www.-sarlat-tourisme.com
Email info@sarlat-tourisme.com

To contact the services (direct phone line and e-mail)

General information – 33 (0) 5 53 31 45 45 – info
Holiday rentals booking service – 33 (0) 5 53 31 45 40 – locations
Individual packages booking service – 33 (0) 5 53 31 45 43 – sejoursindividuels
Group packages (seminars..) booking service – 33 (0) 5 53 31 45 42 – sejoursgroupes
Guided tours of the Medieval city ,conferences – 33 (0) 5 53 31 45 42 – visitesguidees
Walking paths – 33 (0) 5 53 31 45 45 – rando

Located in Les Eyzies, on the Sarlat road, Font de Gaume Cave is a showpiece of Magdalenian engravings and paintings from around 14 000 BC. The flints (chisels, scrapers, blades) and other things found in the cave during the excavations testify to a continual occupation since the Mousterian age, or the age of the Neanderthals.

Discovered in 1901 by D. Peyrony, the Cave, 130 m long, contains about 250 paintings. The visitor can only see 30 of them, the most beautiful ones and the best preserved. After 60 m underground, the “Rubicon” is the beginning of the decorated part of the cave, with red dots on the left wall. These caves were not used as dwellings, they were shrines, according to A. Leroi-Gourhan The Grotte de Font-de-Gaume is famous for its cave paintings from the Magdalénien period. It is entrance is 20 m above the valley floor of the Beune valley, at the lower edege of a huge limestone rock.

There are many polychrome paintings and some engravings. The 240 figures show 80 bisons, which are the dominant motive. Most other pictures are also animals, 40 mammoths, 23 horses, 17 reindeers and deer, eight primitive cow, four goats, a wolf, a bear, and two rhinoceroses. More interesting, but less frequent, are four hand outlines and 19 geometric figures.

The cave was first settled by Stone Age people during the last Ice Age – about 25,000 BC – when the Dordogne was the domain of roaming bison, reindeer and mammoths. The cave mouth is no more than a fissure concealed by rocks and trees above a small lush valley, while inside, it’s a narrow twisting passage of irregular height in which you quickly lose your bearings in the dark. The first painting you see is a frieze of bison, at about eye level: reddish-brown in colour, massive, full of movement, and very far from the primitive representations you might expect. Further on a horse stands with one hoof slightly raised, resting. But the most miraculous of all is a frieze of five bison discovered in 1966 during cleaning operations. The colour, remarkably sharp and vivid, is preserved by a protective layer of calcite. Shading under the belly and down the thighs is used to give three-dimensionality with a sophistication that seems utterly modern. Another panel consists of superimposed drawings, a fairly common phenomenon in cave painting, sometimes the result of work by successive generations, but here an obviously deliberate technique. A reindeer in the foreground shares legs with a large bison behind to indicate perspective.

Location: Les Eyzies-de-Tayac. 1km from the centre of Eyzies on the left side of the Beune valley.

Open:

Closed 01-JAN, 01-NOV, 11-NOV, 25-DEC.

Built under the escarpments, this refuge juts out from the rock into which it has been dug and conceals huge rock shelters that have witnessed some interesting events of our civilisation for more than 20,000 years.

Vastly larger than one could imagine from the outside, the façade conceals some impressive underground and overhead rooms, such as the great main hall, the armory, dining hall, living quarters, kitchen, bedrooms, chapel, prison cell, dungeon, wine cellar.

In addition to its natural protection, this fortification exhibits many elements of defence : bretèche, murder-hole, cannons, loopholes.
A source of great historical interest, it served for the past 50 years for purposes of scientific and archaeological research. You will be the first to visit this site which has been jealously closed to the public until now.
This showcase of our heritage presents some genuine artefacts from prehistoric times discovered on the premises.

Opening Dates and Times

Open every day from 1st March to 11 November
March, April, October, mi-November : 10am to 6pm
May, June, September : 10am to 7pm
July, August : 10am to 8pm

La Maison Forte de Reignac

24620 Tursac
Tél. 05 53 50 70 45 – Fax 05 53 51 03 21
www.maison-forte-reignac.com
info@maison-forte-reignac.com

This Middle Ages construction, with its austere appearance, is perched on top of a limestone cliff, dominating the town and the north bank of the Dordogne River.

HISTORY

The castle was built from the 12th century by the barons of Beynac (one of the four baronies of Périgord) to close the valley. The sheer cliff face being sufficient to discourage any assault from that side, the defences were built up on the plateau: double crenellated walls, double moats, one of which was a deepened natural ravine, double barbican.

The oldest part of the castle is a large, square-shaped, Romanesque keep with vertical sides and few openings, held together with attached watch towers and equipped with a narrow spiral staircase terminating on a crenellated terrace. To one side, a residence of the same period is attached; it was remodelled and enlarged in the 16th and 17th centuries. On the other side is a partly 14th century residence side-by-side with a courtyard and a square plan staircase serving the 17th century apartments. The apartments have kept their woodwork and a painted ceiling from the 17th century. The Salle des États (States’ Hall) has a Renaissance sculptured fireplace and leads into a small oratory entirely covered with 15th century frescoes, included a Pietà, a Saint Christopher, and a Last Supper in which Saint Martial (first bishop of Limoges) is the maître d’hôtel.

At the time of the Hundred Years’ War, the fortress at Beynac was in French hands. The Dordogne was the border between France and England. Not far away, on the opposite bank of the river, the Château de Castelnau was held by the English. The Dordogne region was the theatre of numerous struggles for influence, rivalries and occasionally battles between the English and French supporters. However, the castles fell more often through ruse and intrigue rather than by direct assault, because the armies needed to take these castles were extremely costly: only the richest nobles and kings could procure them.

The castle was bought in 1962 by Lucien Grosso who has lovingly restored it.

Visitors to the castle can see sumptuous tapestries showing hunting and other scenes from the lives of the lords of the period. The Château de Beynac has been listed as a monument historique by the French Ministry of Culture since 1944.

Beynac castle has served as a location for several films, including Les Visiteurs by Jean-Marie Poiré, in 1993, La Fille de d’Artagnan by Bertrand Tavernier, in 1994, Ever After by Andy Tennant, in 1998, and Jeanne d’Arc by Luc Besson, in 1999. The village of Beynac below the chateau, also served as a location for the film Chocolat by Lasse Hallström, in 2000.

Barons de Beynac

In the early 12th century 6 Monks from the Monastery of Paunat were travelling between Monasteries when one of the Monks became very ill, they set up camp in Tayac near a water source. The monk was dieing, but miraculously healed after drinking the water from the “Tayac Source”. To the Monks of Paunat this was a “Sign” and round about 1123 they started building the magnificent and fortified church of Tayac, they called it ” St Martin “. At the same time, the Monks of Paunat started working the land in this lush Vezere valley, they built the farmhouse / monastery, which is now ” Ferme de Tayac ” that has been completely renovated, and is now a lovely B&B opposite the church. For hundreds of years the Monks lived here and worked the lands, bit by bit houses were built against the rock. Water from the “Tayac Source” was taken to other surrounding Monasteries, for it’s healing powers, Tayac was thriving. Two centuries later, things took a turn, wars were breaking out, armies were constantly attacking areas and strongholds. Religion and all that went with it lost it’s power, and very slowly the life in and around Tayac became what it is today. St. Martin still stands proud, and is without doubt the nicest Fortified Church in the Perigord, the “Tayac Source” is still there, although no longer in use.

During construction for a railroad in 1868, a rock shelter in a limestone cliff was uncovered. Near the back of the shelter, an occupation floor was recognized, and when excavated, it revealed the remains of four adult skeletons, one infant, and some fragmentary bones. The Link between Prehistoric Man and Modern Man had been found, here in Tayac.